Legends continued (Crank It Up)

Following on from Get It On, the matching disc was also obtained here:

 

This like it's predecessor also has a TimeLife pedigree with 17 tracks from the mid 60's to Mid 80's featured in their full album versions remastered for regular and super audio cd on one disc from their original masters which typical doesn't happen with compulations as much as we love playing them.

This one gives us the best sounding For What It's Worth by the Buffalo Springfield, Running On Empty by Jackson Browne,  Pretenders Back on the Chain Gang and Daniel (the latter besting the DCC Greatest Hits version even) amongst others on a single 70 odd minute disc that just rolls on back the years.

The set keeps the original Time Life booklet notes and pictures.

While generally I don't buy compilations from specialty companies preferring single artist albums, I felt these two were worth getting for the sound.

We'll see just how popular this excursion into compilations has been for California's Audio Fidelity label.

Magazine

A few days ago a replacent copy of a much loved Heart album arrived.

The first thing to note is that 'sash' on the top left hand corner as it was announced recently by the President of Audio Fidelity that they would no longer be manufacturing 24Kt gold cds anymore a carry over from the days of DCC because of escalating costs and erratic supplies.
To me at least the gold plating was never an issue - it's the actual sound  from the mastering that counted - but I guess the gold plating did suggest 'Gold Standard' for some.
Instead they're using from now on exclusively a disc with a regular cd layer and a high definition super audio cd layer for special players instead.
This album came out in 1978 originally with the consent of Heart who had changed labels but they returned to alter the mix and re-record parts and is a mixture of a few new songs and older unreleased recordings with a few live tracks.
Notwithstanding it's origins, the track Heartless became a   top 30 single and the set does show clearly just how talent they had become covering Without You and I've Got The Music In Me distinctively.
 I originally had the lp and bought the U.S. Capitol XDR tape re-issue in the mid 1980's.
It was issued on cd by Capitol who had acquired the rights to Mushroom Records recordings  in the late 1980's in a so-so transfer with next to no album art but this edition by Steve Hoffman for Audio Fidelity sounds very smooth and is to be much preferred today.

Value deminished edition

I think it is beginning to dawn on avid cd collectors and music lovers, the explosion of interest we have had since the formats launch in December 1982 is in steep decline.
One area where it is obvious is in the repackaging of older discs in budget bare bone packs of Five or  complete sets where shewn of anything other than front and rear art they are offered up at bargain prices to try to raise moneys from previous releases that otherwise they wouldn't of.
These sets are typically issued by Sony/Bmg and Warners with some from the formally independent EMI. Many stores report with even with new discs there's a few weeks brisk sales followed by a short sharp drop.
The other area is in sales of older out of print discs via speciality stores, Ebay or Amazon Marketplace where some titles appear to be almost worthless with a few where you might just get $3 in a trade in now.
Even the area of discs I do spend a fair amount of money on specialty Gold re-masters are not impervious to this drop with pricing falling around 40% or more although I suspect coming from relative high prices around 2006 through 2009 it may have a fair bit to do with the fall in peoples disposable income thanks to the economy as many titles being available "for free" on Torrents and other darker parts of the internet for people to download and play on music servers.
Perversely, it was made it easier for me to get some titles that even used were over $100 mark for a good deal less such as a copy of the MFSL gold issue of Sting's Dream of the Blue Turtles for $24. As depreciation doesn't concern me as someone who just buys music to play for pleasure rather than seeing them as financial assets it's no big deal.To me the rationale for buying them is just having great sounding copies of your favourite albums.
Does the cd have a future?

Rod The Mod

If you were around in the 70's you could not of escaped Rod Stewart, the UK singer-songwriter responsible for many of decades top selling records but where do you start if you're not a rabid fan of his given many compilations have been issued in the passing decades most of which had cd re-issues?
I did have the 2004 Changing Faces set but it was mastered rather loud and my copy wasn't playing to well for some reason so a while back I did some investigations on what to replace it with.
At the risk of sounding like a boring old fart, I feel his best solo material was recorded for Mercury between 1969 and 1974 taking in such gems as You Wear it Well, Gasoline Alley, Reason To Believe and unforgettably, Maggie Mae.
While some of these albums have been re-issued by specialty labels such as Audio Fidelity and Mobile Fidelity, these discs will be dear to track down regardless of sonic merit  so I'd suggest most would be better of getting new a 3 cd set called "Reason To Believe -The complete Mercury studio recordings " having all the albums and some bonus tracks in a single inexpensive set.

For an overview of his career from the mid 60's to 1990 I feel there's one which is a complete no-brainer  and that's "Storyteller" as it does just that telling the story of Rod's music career over 4 cds that originally came out in 1990 costing a small fortune.
It was recently repackaged but keeping the notes and can be got from Amazon UK for £7.99 shipped. Although a few tracks from the mid 60's were sourced from records, most of this set sounds really good.
I would put this now above "The Story So Far - the best of" a 2 cd set issued by Warners in the UK in 2003 as Storyteller has more 'classic' Rod while all The Story So Far adds is some remakes and less essential tracks he did with Helicopter Girl even though I bought "Story So Far" on release.

Finally, Rod was an essential part of the Faces who emerged from the Small Faces and you simply have to have a selection of their rootsy bar music that included tracks like Stay With Me and Cindy Incidentally. Although there's a new double cd set due out in October which I hope to get, One that can be got cheaply and is very good is The Best of the Faces (Good boys ...while they're asleep).

Currently available on Rhino and priced at £2.99 on Amazon UK you really cannot go wrong with this single cd retrospective..

Crosby, Stills And Nash (AF)

This entry goes back a bit actually when I used to have a more complicated blog structure with a blog for old stuff but seeing there's a new bit it'll be retyped as one piece here.
The late 1960's and early 70's is a period where I do remember rather more than many of my contemparies do and I guess for me it involves numerous automotive journeys with the clunking of Pops in-car 8 track player and the sometimes downright screwed up track orders of the albums we played and given that is even know how they 'play' in my head, perhaps our generation ought to be compensated by Lear Jet for it!

Crosby Stills and Nash fit that era to a tee and recently Audio Fidelity a small Californian reissue outfit re-issued their first album freshly re-mastered by Steve Hoffman.
Songs like Wooden Ships, Marrekesh Express and Suite: Judy Blue Eyes were always on tape player plus the FM radio and what they've tried to do on this cd is to bring out a more natural bass quality and improve the clarity of the individual instruments on what has to be said is a so-so original recording. It works well even if ultimately this album is one you enjoy for the performances and songs some of which like the Graham Nash ones were originally intended for his 'old' group the Hollies during that period when he wanted to write songs with more meaning while the groups record company (EMI) just wanted simplistic pop songs to sell hit 45's instead. In Crosby's case he famously fell out with the Byrds as they didn't wish to issue his songs and so Graham Steven Stills and himself formed this 'supergroup'.
Shortly afterwards Neil Young a now celebrated Canadian singer-songwriter joined them for the Deja Vu album which was a good a distillation of the ethos of those 'Woodstock' days as any I can think of from the cover of the Joni Mitchell song of the same name to Almost Cut My Hair, Nash's Our House and my favourite Neil's Country Girl a seemless suite of three songs.
I owned this originally on 8 track and later the casette version during the 'Walkman era'.
Sometime in the mid 1990's ('94 I think) Joe Gastwirt remastered this and pretty much all the C,S,N &Y output for compact disc and these can be got cheaply with decent sound from the likes of Amazon. They are only just a little louder than a specialist remaster and I like his version of this a lot.

In the fall of 2013 Steve Hoffman tackled this, the 1977 album (aka "The Boat") for Audio Fidelity catalogue number AFZ 144, the home of Cathedral and several other fine compositions. Having heard a number on the 2013 reissued box set CSN, my interest was picqued so I bought it. The sound is really good on this issue maintaining its analogue warmth and can be recommended 

Piano Man

I've recently taken stock of a couple of specialty label cds from Mobile fidelity (Mofi) of Chicago, Ill. by the singer-songwriter Billy Joel whose songs were a part of my childhood growing up with on tape and on the radio.
In so far as most Britons are concerned he kinda came to notice during Elton (John's) unavailability late 77, Early '78 but actually Billy goes back much further than that to the outfit known as "The Hassels" in New Jersey who performed in a hard rock style but shortly afterward he left and took to playing bars and thru this, established a contract with Columbia Records (or CBS to Brits!) which led to his debut album album Cold Spring Harbour being issued.

Piano Man which remains one of the finest albums by a contemporary rock artist taking his observations on NJ life including the controversial Captain Jack that tackles drug abuse . As well it is worth noting it is clearly influenced by Elton's Tumbleweed Connection as well as having a Western theme running thru it.

Piano Man is a fictionalized account of his own story working the bars, trying earn a dollar.
Turnstiles was the next one up and was the second just issued by Mofi which features New York state of Mind in it's original mix rather than the remix used for all previous cd versions as well as Miami 2017 and the epic Say Goodbye To Hollywood.
These discs do sound quiet amazing with natural piano tone and wide dynamics.

Earlier on I did get the Audio Fidelity 2010 issue of Glass Houses as I only had the 1998 MiniDisc version as remastered by Ted Jensen that features the smash hit 'It's Still Rock and Roll (to me) '. This version has greater dynamics and a smoother, more detailed sound to it. I didn't like the AF 52nd Street - too muddy- electing to stay with my 1994 Sony Mastersounds disc.