A 300mm telephoto for the Olympus cameras

I was thinking early on about getting a longish telephoto lens but it's taken now to find an affordable quality option for my OM10 and 40 bodies as most of the independent options from the late 1970's and 80's were rather so-so at best and you are normally talking of around £100 upward for Olympus's own.

Shopping around I found something that would work, the Tamron Adaptall 300mm F5.6 which was originally introduced  in 1976 and phased out in 1979 for the later Adaptall 2  close focusing version.
The early Adaptall lenses do take the later mounts and although this as bought came mounted for the old M42 screw fitting, changing to Olympus OM is quick and easy and for £36 was a bargain.

Technical notes



Lens construction: four group 4 elements
Minimum aperture: 22
Minimum focusing distance: 2.5m
Filter diameter: 58mm

Weight: 580g

Cute fashion

You might ask about fashion because it is a good while since I blogged around that which isn't entirely unconnected with the changes I have been going through recently and that I'm trying to deal with on this blog.

This is more like the kind of thing I like rather more than more obviously for older people  fashions liking pastels and pleated skirts a lot. I'm not much for anything below the knee when it comes to skirt lengths.

Typing anew

Here at That Boarding School Girl, I am slowly getting used to working with the Chromebook mentioned on the other blog which isn't what I use here normally but is very handy for quickly checking and posting on various sites.
It's also very quick for posting blogs on although it cannot by design run full blown programs only apps that run through the Chrome Browser.
Because much of my bigger side does things like copy cds to digital files, buys files from places like iTunes plus works with pictures from my digital camera I do have a bit of a need for my Windows Laptop although to be honest a good 95% of what I do can be done at least as well on that Chromebook.

Pastel recovery

After all that Brexit discourse, I honestly don't feel up to dealing with the cynicism, grandstanding and hate that seems to just invaded grown up spaces where even families are no longer talking to each other.
I'd rather people left that and focused more on what we are all in need of right now, not least those of us with learning disabilities, putting more into how we can make each other feel better, having better lives and be more caring.
I feel the need to love and be loved much more right now.

The Girls of St. Brides

Reading is a passion of mine and it is not uncommon for authors  to write a whole series of stories that are self contained and over time start again which does make it hard pick a series to work ones way through.
In the instance of Dorita Fairlie Bruce, she actually wrote five whole series so I've cherry picked this the start of the St. Brides/Maudlsey series to work my way through.

 Originally written in nineteen twenty-three and long out of print, this introduces to Island School of St. Brides on Inchmore far away from industrial west coast of Scotland and introduces us to its main characters although it obviously was not conceived as part of the "Nancy at St.Brides" seires at the outset as Nancy doesn't make an appearance!
One strong point of this book is the inclusion of a disabled girl, Winifred who was disabled in early childhood and uses a wheelchair which is very rare for the period and how it touches on the idea of intergration, talking about the sense of isolation and lack of acceptance showing how in this school and through the friendship with Morag, she emerges becoming very much a part of the school community.
Integrated education is as I know from direct personal experience as a disabled girl is still controversial and indeed for a period many did not have what would be recognized as a (appropriate) academic education.
Because it was written in nineteen twenty-three, Dorita does use the term "Cripple" to describe Winifrid which would jar many today but we need to remember that it's from the German term "Krupil" and one of the meanings of that word is "lame" which medically speaking is true as her limbs are indeed just that as are mine. It also is the case cripple don't acquire the common abusive undertones it did in the nineteen fifties and sixties as did "spastic" both of which went on unofficial blacklists of terms not to be used from the late seventies onward but Dorita in fairness uses cripple with sensitivity.
I wouldn't damn a person for a choice of word when used correctly and moreover the content clearly is progressive.

Elton John on vinyl

A good few years back, going back the last dying days of my original laptop I did post something about my collection of Elton John cds and his "To Be Continued..." box set of 1990 of which my copy is Canadian.
During a period in the late 1980's through early 90's much of my original vinyl and tape collection of his got converted into cds some of which are specialty gold re-masters of better than regular cd quality.
Feeling the need as I got back into vinyl for some of this prolific singer/songwriters output in that form, I decided to add a couple of well chosen compilations.

 My original copy of this the 1974 Greatest Hits album was the MCA edition that had a different track selection but it was an album much played growing up and to which I have the DCC gold remaster that over twenty years on still stands out.
What's on it ten essential tracks including such vignettes as Crocodile Rock, Candle in the Wind and plaintive Border Song.
I got the UK lp which sounds like he's almost in your room singing.

 That compilation was followed up three years later by another that because he had just switch labels required some cross-label licensing that has caused issues with the US cd edition since to the point I remade the selection digitally.
The strength of this compilation was it housed on lp form a number of non album 45's such as Pinball Wizard, Philadelphia Freedom and Lucy In The Sky With Diamonds and his Rocket Records duet Don't Go Breaking My Heart with Kiki Dee which was a British #1.
I decided to get the UK version as it sounded better and between both volumes of Greatest Hits I was only missing one song, Levon, and that didn't matter so much.

Extreme wide angle lens for the Olympus camera

For a long time I had considered  the advantages of so-called ultra wide angle lenses as I found the 24mm lens a focal length  that didn't seem to offer too many advantages over a 28mm  for the inevitable extra weight of lugging it about without offering some of the advantages  in terms of getting heaps more into the frame or its creative uses building on the perspective distortion when shooting subjects such as cars close.

Around  2000 Vivitar and Cosina had out a 19 through 35mm ultra wide-angle zoom lenses in a variety of manual focus camera fittings including Olympus OM that appealed but tracking down the OM fitting proved difficult and some other options such as the Centon/Sirius 18-35 while plentiful used had terrible reputations for image quality.

As had been a while since I'd bought a 'new' lens, I ordered the Tamron 17mm F 3.5 Adaptall 2 in the high performance SP series

This is the later 151B version that dispensed with the built in black and white photo filters to simplify construction as well as reducing costs and adding a more modern feel to this longstanding lens.

Independent lens tests put this at the same quality as the Zuiko 18mm F3.5 which is some 60% more expensive used and exceeding it's equivalent by Minolta in the MD system.

As with all Adaptall 2 lenses, armed with the appropriate attachable mount they can mounted on nearly all manual focus bodies.